{"id":4637,"date":"2022-05-09T15:20:45","date_gmt":"2022-05-09T13:20:45","guid":{"rendered":"https:\/\/leonore-mau.de\/bildethik\/"},"modified":"2024-03-19T13:36:38","modified_gmt":"2024-03-19T12:36:38","slug":"bildethik","status":"publish","type":"page","link":"https:\/\/leonore-mau.de\/en\/bildethik\/","title":{"rendered":"ETHICS OF IMAGES"},"content":{"rendered":"\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-l6ktmdkw-ef1182371cca1b2c2eb0789a4211d5b4\">\n#top .av-special-heading.av-l6ktmdkw-ef1182371cca1b2c2eb0789a4211d5b4{\npadding-bottom:10px;\n}\nbody .av-special-heading.av-l6ktmdkw-ef1182371cca1b2c2eb0789a4211d5b4 .av-special-heading-tag .heading-char{\nfont-size:25px;\n}\n.av-special-heading.av-l6ktmdkw-ef1182371cca1b2c2eb0789a4211d5b4 .av-subheading{\nfont-size:15px;\n}\n<\/style>\n<div  class='av-special-heading av-l6ktmdkw-ef1182371cca1b2c2eb0789a4211d5b4 av-special-heading-h3  avia-builder-el-0  el_before_av_hr  avia-builder-el-first '><h3 class='av-special-heading-tag '  itemprop=\"headline\"  >The ethics of images<\/h3><div class=\"special-heading-border\"><div class=\"special-heading-inner-border\"><\/div><\/div><\/div>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-l6ktmmq7-aeef91e090f1ec55ba3b207df96343d8\">\n#top .hr.hr-invisible.av-l6ktmmq7-aeef91e090f1ec55ba3b207df96343d8{\nheight:50px;\n}\n<\/style>\n<div  class='hr av-l6ktmmq7-aeef91e090f1ec55ba3b207df96343d8 hr-invisible  avia-builder-el-1  el_after_av_heading  el_before_av_one_full '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div>\n<div  class='flex_column av-gktfy-3eb8ca70c2b23879209c98a751584948 av_one_full  avia-builder-el-2  el_after_av_hr  el_before_av_hr  first flex_column_div  '     ><section  class='av_textblock_section av-l77q8kl9-acd31926a8dfa009269773c284127527 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><h4><strong>The ethics of images \u2013 context matters!<\/strong><\/h4>\n<p>Essay by Anna G\u00f6tte (2022)<\/p>\n<\/div><\/section><\/div>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-l7hdti7i-c13913f864521940678f9831fb3aaa2f\">\n#top .hr.hr-invisible.av-l7hdti7i-c13913f864521940678f9831fb3aaa2f{\nheight:25px;\n}\n<\/style>\n<div  class='hr av-l7hdti7i-c13913f864521940678f9831fb3aaa2f hr-invisible  avia-builder-el-4  el_after_av_one_full  el_before_av_one_half '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div>\n<div  class='flex_column av-8q6ae-4-11fa05f4a4809a9cf358c29c9d6ae040 av_one_half  avia-builder-el-5  el_after_av_hr  el_before_av_one_half  first flex_column_div  '     ><section  class='av_textblock_section av-l5s87493-3-46d087c8744a6b56fbcb8ea4bb8171e1 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p>For the people and institutions involved, the process of indexing and providing access to the photographic oeuvre of Leonore Mau, together with the accompanying publication of her photographs in the form of an online databank of unprecedented scope to encompass Leonore Mau\u2019s estate, poses hitherto largely disregarded questions of a legal as well as an ethical dimension. On the one hand, this concerns the realm of personality rights of the depicted individuals, a sphere which since the Leonore Mau images\u2019 making has constantly evolved and changed, not least of all following the advent of the internet and the associated possibilities of making images accessible at any time, in any place and for everyone. In addition, where images from sensitive original contexts are being published \u2013 especially online, due the unrestricted worldwide availability of such publications \u2013 the publishing institution finds itself confronted with a daunting challenge in regard to curation and contextualisation. In the course of his research for this website, Christoph Ransmayr, author and long-standing curator at the S. Fischer Stiftung, voiced the following concerns about the context of publishing certain photographs by Leonore Mau:<\/p>\n<p>\u201cTo portray suffering, tormented people in most cases also entails the obligation to relate their story as fully as possible. In other words, not just to show their image but all the more to speak and write about the conditions in which this momentary snippet from someone\u2019s life came to be related, to be documented. When, in whatever form of representation, a single, unique individual does not feature with their \u2018name and address\u2019 in the awareness, the compassion or the indignation of another, this is tantamount to a further act of voyeurism.\u201d<\/p>\n<p>Certain aspects of the endeavour to develop a responsibly minded approach to documentary images stemming from sensitive contexts are rendered starkly evident in the example of the photo book <a href=\"https:\/\/leonore-mau.de\/en\/zum-werk\/fotobaende\/psyche\/\"><em>Psyche<\/em><\/a> (2005) and the photographic portfolio <em>Grosse Anatomie<\/em> (1977) by Leonore Mau and Hubert Fichte:<\/p>\n<p>In 1974 and 1976, Leonore Mau and Hubert Fichte travelled to Senegal, where they visited the \u201cpsychiatric villages\u201d in Dakar (in Fann) and Ziguinchor in the Casamance. Here, pictures were taken of patients, carers and doctors in these institutions and later on, following Hubert Fichte\u2019s death, published in the photo book <em>Psyche<\/em>. During these travels Fichte also recorded numerous interviews with doctors and patients (<em>Psyche<\/em>. <em>Glossen<\/em>, 1990). The ambivalence central to how the images and interviews came about, as well as to the attempt to combine western European methods of psychiatric treatment with traditional local approaches to healing, is clearly articulated by several of his interview partners as well as Fichte himself, and certainly also appears to be reflected in Leonore Mau\u2019s images. She herself described the situation in an <a href=\"https:\/\/leonore-mau.de\/en\/interviews\/\">interview with Ingo Niermann<\/a> in 2005 in the following terms:<\/p>\n<p>\u201cFann was run by the French professor Henri Collomb. We also flew with him in his small plane to Casamance, to the psychiatric village he founded. The village was constructed in such a way that the sick could live together with members of their family. (\u2026)<\/p>\n<p>Once a week, the doctors would meet with a patient and his family for a <em>pinth<\/em>, which in Wolof means \u2018get-together\u2019. The case would be discussed, but most of the doctors only spoke the colonial language, French. Only one of them was able to speak Wolof because his wife was Senegalese. Hubert Fichte wrote a text about it, <em>Gott ist ein Mathematiker<\/em> (God is a Mathematician). If you can\u2019t speak to someone declared mentally ill in his own language, that\u2019s insanity to the third degree. (\u2026)\u201d<\/p>\n<div id=\"links-link-4637\" class=\"sh-link links-link sh-hide\"><a href=\"#\" onclick=\"showhide_toggle('links', 4637, '&gt;&gt;&gt;Read more', '&gt;&gt;&gt;Show less'); return false;\" aria-expanded=\"false\"><span id=\"links-toggle-4637\">&gt;&gt;&gt;Read more<\/span><\/a><\/div><div id=\"links-content-4637\" class=\"sh-content links-content sh-hide\" style=\"display: none;\"><\/p>\n<p><strong>Niermann: \u201cYou also photographed the administration of electroshocks.\u201d<\/strong><\/p>\n<p>\u201cI thought to myself, \u2018You have to photograph this\u2019. Because this is something Collomb had actually declared inappropriate for the hospital in Fann. But there was still an old pavilion where this was being done. It was so awful. The plug was simply stuck in the wall socket, then something broke in the brain.\u201d<\/p>\n<p>In this instance, Leonore Mau, who sensitively captured the dimension of discomfort for the portrayed people at the moment they are being photographed (<a href=\"https:\/\/leonore-mau.de\/en\/gesprache-uber-leonore-mau\/\">conversation Ottinger<\/a>), and who set herself the rule of \u2018never [becoming] the unsolicited photographer who collects people\u2019 or never photographing individuals without their consent (<a href=\"https:\/\/leonore-mau.de\/en\/interviews\/\">Niermann interview<\/a>), was documenting people in a highly vulnerable situation. As such, her intention to document the events stands in a problematic \u2013 if not antagonistic \u2013 relationship to the idea of safeguarding the dignity and individual rights of the people being photographed.<\/p>\n<p>Whereas the manner in which the photos came about in the psychiatric villages calls for the pictorial material to be handled with particular sensitivity, when it comes to the images Mau shot for <em>Grosse Anatomie<\/em> in the Nina Rodriguez Institute of Forensic Medicine in Bahia, depicting the autopsies of various corpses, our attention instead must be focused more on the question regarding the respective context where the images were later to be reproduced. As such, the original situation of the pictures\u2019 making does not seem to be especially marked by the aforementioned ambivalence. To go by Fichte\u2019s accounts (i.e. <em>Sprit<\/em>,<em> Monatsmagazin f\u00fcr Kultur und Politik<\/em>, no. 1, 1973), the presence of spectators at autopsies of this kind was not uncommon. Rather, it was the later reproduction in magazines and catalogues, and the exhibition in galleries of these extremely explicit images that pose uncomfortable questions about the attitude of viewers and publicists alike. Leonore Mau added a restriction note to the limited-edition photo portfolio, thereby prohibiting the reproduction of the photographs. Whether this restriction note was prompted by the subject of the images or by sales-related concerns could not as yet be clarified. But the fact that in her own lifetime, Leonore Mau allowed images of the corpses and their autopsies to be exhibited (i.e. <em>Als Gast von Hinrich Sachs: Leonore Mau, Fotografin<\/em> at the Kunsthalle Basel in 2002) or reproduced (i.e. in: Wilfried F. Schoeller, <em>Hubert Fichte und Leonore Mau. Der Schriftsteller und die Fotografin<\/em>, 2005) shows that we should not restrict ourselves simply to analysing the origination contexts and photographic approach from ethical standpoints, but also examine the history of the images\u2019 reproduction and reception, which \u2013 as shown in the case of the <em>Grosse Anatomie<\/em> \u2013 can in part have a dynamic unaffected by the intentions of their authors.<\/p>\n<p>What was the situation at the moment of photographing? Which visual axes and hierarchies were established or reproduced? Who has a name or a story, who is made an object? Who is an individual, who is the portrayed subject and who is simply ethnographic \u201cmaterial\u201d? How do we view and stage \u201cthe Other\u201d? Which audience is being addressed by the photography and what is the precise process of reproduction and reception of any image? These are just a few of the questions that can offer orientation when establishing criteria for an ethically responsible approach to documentary photography. Knowing full well that it is wholly impossible to derive concrete, let alone universally valid strategies and directives or principles for action from these criteria, publicising institutions should nonetheless consider these questions when evolving a policy that facilitates making decisions on which images might be published in which context.<\/p>\n<p>In the case of the images of patients in psychiatric treatment, we have decided not to publish them online, but nevertheless make them available for research and accessible to scholars. For this is precisely what this website seeks to achieve: to send an impulse for research into these issues and to persistently question and renew the criteria for an ethically responsible approach above all towards documentary photography.<\/p>\n<p><\/div>\n<\/div><\/section><\/div><div  class='flex_column av-1iq2xy-85ee43b451f33dcb6232c69d1bd91cfd av_one_half  avia-builder-el-7  el_after_av_one_half  avia-builder-el-last  flex_column_div  '     ><p>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-l7oroyxg-0d762d67b4021b26e965860e96b26f2d\">\n#top .hr.hr-invisible.av-l7oroyxg-0d762d67b4021b26e965860e96b26f2d{\nheight:15px;\n}\n<\/style>\n<div  class='hr av-l7oroyxg-0d762d67b4021b26e965860e96b26f2d hr-invisible  avia-builder-el-8  el_before_av_image  avia-builder-el-first '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-l5thcj3w-b2776932d6d45a1534f0aba83bca9967\">\n.avia-image-container.av-l5thcj3w-b2776932d6d45a1534f0aba83bca9967 img.avia_image{\nbox-shadow:none;\n}\n.avia-image-container.av-l5thcj3w-b2776932d6d45a1534f0aba83bca9967 .av-image-caption-overlay-center{\ncolor:#ffffff;\n}\n<\/style>\n<div  class='avia-image-container av-l5thcj3w-b2776932d6d45a1534f0aba83bca9967 av-styling- avia-align-left  avia-builder-el-9  el_after_av_hr  el_before_av_textblock '   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><img decoding=\"async\" fetchpriority=\"high\" class='wp-image-2419 avia-img-lazy-loading-not-2419 avia_image ' src=\"https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/70247720-300x223.jpg\" alt='' title='Leonore Mau im psychiatrischen Dorf &quot;Kenia&quot;'  height=\"223\" width=\"300\"  itemprop=\"thumbnailUrl\" srcset=\"https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/70247720-300x223.jpg 300w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/70247720-600x446.jpg 600w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/70247720-1030x766.jpg 1030w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/70247720-768x571.jpg 768w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/70247720-705x524.jpg 705w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/70247720.jpg 1200w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/div><\/div><\/div><br \/>\n<section  class='av_textblock_section av-7avu6-e4337495fdfeafba332f799a70d36e89 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock img-caption-indi'  itemprop=\"text\" ><p>Untitled (Leonore Mau in the psychiatric village<br \/>\n&#8220;Village \u00c9mile Badiane&#8221; of Kenya near Ziguinchor,<br \/>\nin the Casamance, Senegal), 1976<br \/>\n\u00a9 Wolfgang von Wangenheim<\/p>\n<\/div><\/section><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-191xri-7c1fde6f3aad4f90c0cf312fbb6404c3\">\n.avia-image-container.av-191xri-7c1fde6f3aad4f90c0cf312fbb6404c3 img.avia_image{\nbox-shadow:none;\n}\n.avia-image-container.av-191xri-7c1fde6f3aad4f90c0cf312fbb6404c3 .av-image-caption-overlay-center{\ncolor:#ffffff;\n}\n<\/style>\n<div  class='avia-image-container av-191xri-7c1fde6f3aad4f90c0cf312fbb6404c3 av-styling- av-img-linked avia-align-left  avia-builder-el-11  el_after_av_textblock  el_before_av_textblock '   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><a href=\"https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/08\/Beiheft_grosse_Anatomie-1030x773.jpg\" data-srcset=\"https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/08\/Beiheft_grosse_Anatomie-1030x773.jpg 1030w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/08\/Beiheft_grosse_Anatomie-300x225.jpg 300w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/08\/Beiheft_grosse_Anatomie-768x576.jpg 768w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/08\/Beiheft_grosse_Anatomie-1536x1152.jpg 1536w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/08\/Beiheft_grosse_Anatomie-2048x1536.jpg 2048w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/08\/Beiheft_grosse_Anatomie-1500x1125.jpg 1500w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/08\/Beiheft_grosse_Anatomie-705x529.jpg 705w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/08\/Beiheft_grosse_Anatomie-450x338.jpg 450w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/08\/Beiheft_grosse_Anatomie-600x450.jpg 600w\" data-sizes=\"(max-width: 1030px) 100vw, 1030px\" class='avia_image '  aria-label='Beiheft_grosse_Anatomie'><img decoding=\"async\" fetchpriority=\"high\" class='wp-image-4587 avia-img-lazy-loading-not-4587 avia_image ' src=\"https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/08\/Beiheft_grosse_Anatomie-300x225.jpg\" alt='' title='Beiheft_grosse_Anatomie'  height=\"225\" width=\"300\"  itemprop=\"thumbnailUrl\" srcset=\"https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/08\/Beiheft_grosse_Anatomie-300x225.jpg 300w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/08\/Beiheft_grosse_Anatomie-1030x773.jpg 1030w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/08\/Beiheft_grosse_Anatomie-768x576.jpg 768w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/08\/Beiheft_grosse_Anatomie-1536x1152.jpg 1536w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/08\/Beiheft_grosse_Anatomie-2048x1536.jpg 2048w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/08\/Beiheft_grosse_Anatomie-1500x1125.jpg 1500w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/08\/Beiheft_grosse_Anatomie-705x529.jpg 705w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/08\/Beiheft_grosse_Anatomie-450x338.jpg 450w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/08\/Beiheft_grosse_Anatomie-600x450.jpg 600w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/div><\/div><\/div><br \/>\n<section  class='av_textblock_section av-l7yqaxeu-191932290232ec4a776c97a2260d02d0 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock img-caption-indi'  itemprop=\"text\" ><p>Front page of the accompanying text from: Grosse Anatomie,<br \/>\nPPS-Galerie F.C. Gundlach, S. Fischer Verlag<br \/>\n\u00a9 Marlene Burmeister<\/p>\n<\/div><\/section><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-l802596z-556e98a29748b7349424b040d8893777\">\n.avia-image-container.av-l802596z-556e98a29748b7349424b040d8893777 img.avia_image{\nbox-shadow:none;\n}\n.avia-image-container.av-l802596z-556e98a29748b7349424b040d8893777 .av-image-caption-overlay-center{\ncolor:#ffffff;\n}\n<\/style>\n<div  class='avia-image-container av-l802596z-556e98a29748b7349424b040d8893777 av-styling- av-img-linked avia-align-left  avia-builder-el-13  el_after_av_textblock  el_before_av_textblock '   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><a href=\"https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/09\/Sperrvermerk-1030x773.jpg\" data-srcset=\"https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/09\/Sperrvermerk-1030x773.jpg 1030w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/09\/Sperrvermerk-300x225.jpg 300w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/09\/Sperrvermerk-768x576.jpg 768w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/09\/Sperrvermerk-1536x1152.jpg 1536w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/09\/Sperrvermerk-2048x1536.jpg 2048w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/09\/Sperrvermerk-1500x1125.jpg 1500w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/09\/Sperrvermerk-705x529.jpg 705w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/09\/Sperrvermerk-450x338.jpg 450w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/09\/Sperrvermerk-600x450.jpg 600w\" data-sizes=\"(max-width: 1030px) 100vw, 1030px\" class='avia_image '  aria-label='Sperrvermerk'><img decoding=\"async\" fetchpriority=\"high\" class='wp-image-6313 avia-img-lazy-loading-not-6313 avia_image ' src=\"https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/09\/Sperrvermerk-300x225.jpg\" alt='' title='Sperrvermerk'  height=\"225\" width=\"300\"  itemprop=\"thumbnailUrl\" srcset=\"https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/09\/Sperrvermerk-300x225.jpg 300w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/09\/Sperrvermerk-1030x773.jpg 1030w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/09\/Sperrvermerk-768x576.jpg 768w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/09\/Sperrvermerk-1536x1152.jpg 1536w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/09\/Sperrvermerk-2048x1536.jpg 2048w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/09\/Sperrvermerk-1500x1125.jpg 1500w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/09\/Sperrvermerk-705x529.jpg 705w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/09\/Sperrvermerk-450x338.jpg 450w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/09\/Sperrvermerk-600x450.jpg 600w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/div><\/div><\/div><br \/>\n<section  class='av_textblock_section av-l5thda6t-9347a3d889302d4dabbc0289e5846abd '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock img-caption-indi'  itemprop=\"text\" ><p>Note on non-publication from: Grosse Anatomie,<br \/>\nPPS-Galerie F.C. Gundlach, S. Fischer Verlag<br \/>\n\u00a9 Marlene Burmeister<\/p>\n<\/div><\/section><\/p><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-4637","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>ETHICS OF IMAGES - Leonore Mau<\/title>\n<meta name=\"description\" content=\"Leonore Mau (1916-2013). Deutsche Fotografin. Biografie. Werk. Ausstellungen. Interviews. Nachlass. 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