{"id":5225,"date":"2022-05-09T14:49:27","date_gmt":"2022-05-09T12:49:27","guid":{"rendered":"https:\/\/leonore-mau.de\/leonore-mau-und-hubert-fichte\/"},"modified":"2022-09-14T13:26:55","modified_gmt":"2022-09-14T11:26:55","slug":"leonore-mau-und-hubert-fichte","status":"publish","type":"page","link":"https:\/\/leonore-mau.de\/en\/zur-person\/leonore-mau-und-hubert-fichte\/","title":{"rendered":"Leonore Mau and Hubert Fichte"},"content":{"rendered":"\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-l6kslssf-0d4aaaa1c398e0c2bf6e4f077d03d821\">\n#top .av-special-heading.av-l6kslssf-0d4aaaa1c398e0c2bf6e4f077d03d821{\npadding-bottom:10px;\n}\nbody .av-special-heading.av-l6kslssf-0d4aaaa1c398e0c2bf6e4f077d03d821 .av-special-heading-tag .heading-char{\nfont-size:25px;\n}\n.av-special-heading.av-l6kslssf-0d4aaaa1c398e0c2bf6e4f077d03d821 .av-subheading{\nfont-size:15px;\n}\n<\/style>\n<div  class='av-special-heading av-l6kslssf-0d4aaaa1c398e0c2bf6e4f077d03d821 av-special-heading-h3  avia-builder-el-0  el_before_av_hr  avia-builder-el-first '><h3 class='av-special-heading-tag '  itemprop=\"headline\"  >Leonore Mau and Hubert Fichte<\/h3><div class=\"special-heading-border\"><div class=\"special-heading-inner-border\"><\/div><\/div><\/div>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-l6ksmuu7-42b7b616e6ce58cf30077654656814ed\">\n#top .hr.hr-invisible.av-l6ksmuu7-42b7b616e6ce58cf30077654656814ed{\nheight:50px;\n}\n<\/style>\n<div  class='hr av-l6ksmuu7-42b7b616e6ce58cf30077654656814ed hr-invisible  avia-builder-el-1  el_after_av_heading  el_before_av_one_full '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div>\n<div  class='flex_column av-1bltx-4d9051b873a320a64e73f78855802ce0 av_one_full  avia-builder-el-2  el_after_av_hr  el_before_av_hr  first flex_column_div  '     ><section  class='av_textblock_section av-l77i7mu5-6f6828b979215653d2b064d97420159c '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><h4><strong>Mau \u2013 Fichte \/\/ Irma \u2013 J\u00e4cki. <\/strong><strong>Photographer and writer<\/strong><\/h4>\n<p>Christa Karpenstein-E\u00dfbach (2022)<\/p>\n<\/div><\/section><\/div>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-l7etb8bh-9157d2a79c6cc73900d35d80c91970a4\">\n#top .hr.hr-invisible.av-l7etb8bh-9157d2a79c6cc73900d35d80c91970a4{\nheight:25px;\n}\n<\/style>\n<div  class='hr av-l7etb8bh-9157d2a79c6cc73900d35d80c91970a4 hr-invisible  avia-builder-el-4  el_after_av_one_full  el_before_av_one_half '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div>\n<div  class='flex_column av-21php-b59e81bf8d52a0f95a90796a103ba34e av_one_half  avia-builder-el-5  el_after_av_hr  el_before_av_one_half  first flex_column_div  '     ><p><section  class='av_textblock_section av-l5rv2qzy-69f7340103c71a2e19ade85ee6a7f9c3 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p>Irma and Jaecki, Leonore Mau and Hubert Fichte \u2013 the first two are literary inventions in Fichte\u2019s seventeen-volume <em>Geschichte der Empfindlichkeit<\/em> (The History of Sensibility), the second pair were people in blood and flesh. Fictional or otherwise, one is a photographer, the other a writer. What they share is that they are bound together in love and work, that the two art forms, writing and photography, are interwoven and that the one is mirrored in the other whenever they take their instruments on their travels to explore and depict the worlds of other cultures.<\/p>\n<p><strong>\u201cYou want to know everything about me. \/ I want to know everything about you\u201d<a href=\"#_ftn1\" name=\"_ftnref1\">[1]<\/a><\/strong><\/p>\n<p>In the novel <em>Forschungsbericht<\/em> (Research report), Irma is asked by Jaecki, \u201cDoes it bother you that you will be featured in it?\u201d<a href=\"#_ftn2\" name=\"_ftnref2\">[2]<\/a> It bothered the semi-fictional Irma\/Leonore just as little as it did the real Leonore Mau.<a href=\"#_ftn3\" name=\"_ftnref3\">[3]<\/a> In <em>Hotel Garni<\/em>, the opening volume of the <em>Geschichte der Empfindlichkeit<\/em>, those who want to know everything about each other (which, incidentally, is a reply to the preceding question, \u201cWhat do you mean by love?\u201d) make their first appearance. Here there is no narrator directing his protagonists from an elevated, supreme position, instead a reciprocal relationship of reporting in the manner of a two-way interview. While elsewhere, in the context of his probing ethnological explorations in other countries, J\u00e4cki\/Fichte adopts the stance of a dissociated interviewer, here he also allows himself to be the interviewed subject, suggesting that the practice of \u201cwanting to know\u201d, of pursuing precise perception and observation that will be intrinsic to their later shared travels to the worlds of other cultures, is now being mutually put to the test in the intimacy of loving coupledom.<\/p>\n<p>The common themes are personal and family history, childhood and puberty, intellectual interests, the atmospheres of the post-war period, sexuality on repeated occasions with all the variants of erotic desire and all manner of passions and aversions, and the paths that drew one of them towards photography and the other to writing. The way they speak is neither confessional nor taboo-breaking. Rather, it proceeds with the cool objectivity of a report documenting exteriorised intimacy. In the process, the precision that matters most in all things can at times assume comic dimensions, such as when Irma, on answering J\u00e4cki\u2019s question, \u201cSo what is it you like about a man\u2019s arse?\u201d, in turn poses him a question: \u201cWhen naked or in trousers? \/ Because that\u2019s a huge difference. \/ If you see it in trousers it is simply a voluptuous shape. \/ But when it\u2019s naked, you see a whole lot more.\u201d<a href=\"#_ftn4\" name=\"_ftnref4\">[4]<\/a><\/p>\n<p>As if Irma and Jaecki were trying to follow Freud\u2019s old adage that love and work are the two base materials for a successful life, both of them repeatedly recount how their photography or their writing began. Jaecki wants to turn his back on the prevailing mood in post-war German literature, while Irma, trained as a set designer, begins increasingly to use her camera as a means of leaving the world of Hamburg. A two-pronged verbal action lends expression to their common goal when Jaecki says, \u201cI wanted to see the world\u201d, and Irma, \u201cI had the idea to travel around the world with a camera\u201d.<a href=\"#_ftn5\" name=\"_ftnref5\">[5]<\/a><\/p>\n<p><strong>\u201cYou are making a great poet of me. \/ I am making a great photographer of you.\u201d<a href=\"#_ftn6\" name=\"_ftnref6\">[6]<\/a><\/strong><\/p>\n<p>One aspect of the relationship between the photographer and the author was their examination of the singularities of both art forms, a dialogue that was never free of tensions and rivalry. With unbounded enthusiasm the author proposes: \u201c\u2018All I would ever photograph is white eggs,\u2019 Jaecki rhapsodised, \u2018against a white limestone wall\u2019\u201d.<a href=\"#_ftn7\" name=\"_ftnref7\">[7]<\/a> What Leonore Mau made of this absurd suggestion to eschew the essential property of photography, the play with light and contrasts, can be seen in her <em>Selbstportrait mit Ei um ein Uhr nachts am 3.10.1967<\/em> (Self-portrait with egg at one o\u2019clock in the morning on 3 October 1967).<a href=\"#_ftn8\" name=\"_ftnref8\">[8]<\/a><\/p>\n<p>For a start, the modes of production of images or writing could hardly be more different. A photograph is made in the instantaneousness of a moment, here and now, as the author tells us, not without envy: \u201cTotal. Click. Done. The whole story in a thousandth of a second. The world as pure image. That is true art. Nothing more than a camera.\u201d<a href=\"#_ftn9\" name=\"_ftnref9\">[9]<\/a> Writing, on the other hand, is discontinuous, constantly interrupted and corrected by reflection or revised compositional strategies. And even when it is just a question of relating three long gone seconds, the writer, Jaecki explains, might need as much as an entire novel for their description. He has to deal with the \u201cfalling apart of all times within a single moment\u201d.<a href=\"#_ftn10\" name=\"_ftnref10\">[10]<\/a> Yet anyone who has ever shouldered photographic equipment and works with more than just pen and paper will know that this \u201cnothing more than a camera\u201d does not come even remotely without preconditions. Choosing one\u2019s vantage point and framing, aperture and lens, determines the technical and processual instrumentalization of the gaze, and this is a complicated matter. Which is why taking a photograph can also fail at the given moment. As the author, who places store by the duration of writing, freely\u00a0 admits, he will \u201cnever become a photographer\u201d, while the photographer has \u201cno time for white eggs\u201d \u2013 the \u201cideas of an author who is describing a photographer\u201d.<a href=\"#_ftn11\" name=\"_ftnref11\">[11]<\/a><\/p>\n<p>One thing is beyond the capacity of photography: it cannot represent the layers of time, time that is lost and regained in memory, or connect the here and now with there and then. To do this requires language with which former time can be inducted into the present moment, or can elicit former time from the now. However successful one of Irma\u2019s\u00a0 photos of a site of remembrance from the past, like Jaecki\u2019s beloved allotment in Hamburg\u2019s Lokstedt neighbourhood, might seem in itself, it is nonetheless impossible to discover in it all those layers of time and traces of memory that mattered to Jaecki.<\/p>\n<p>But the silence of the images harbours a great asset vis-\u00e0-vis the limitations of language. As Siegfried Kracauer observed, it is photographic images that first lend visibility to what is elementary and common to people. Images are far more easily decipherable, spontaneously accessible and possess no boundaries to their reception. The author writes in a language that first has to be translated for people from other countries if what he is writing is to be counted as world literature in the eminent sense. In comparison with photography, Jaecki realises that \u201can author never has success like this. I had always hoped that Africans would one day read me with the same enthusiasm.\u201d<a href=\"#_ftn12\" name=\"_ftnref12\">[12]<\/a> When Leonore Mau exhibits her photos in Harlem, Irma actually becomes \u201cBlack\u201d, and all the competing author can do is to ascertain that \u201cI, however, am entirely Black \u2013 only no one can see it.\u201d<a href=\"#_ftn13\" name=\"_ftnref13\">[13]<\/a><\/p>\n<p><strong>\u201c\u2026that you go to a foreign country\u2026\u201d<a href=\"#_ftn14\" name=\"_ftnref14\">[14]<\/a><\/strong><\/p>\n<p>The numerous journeys undertaken by Fichte and Mau not only took them into the unknown but also into uncertainty. Instead of travels that suggest holidays or tourism, one should call them expeditions that are marked by contingencies, that can fail or succeed because the conditions for exploring and seeking are not fully under the sovereign control of the explorer. In <em>Explosion<\/em>, the account of the three trips to Brazil, we read: \u201cIn somewhat of a panic Jaecki whisks Irma away \/ What\u2019s going on: \/ Come on. \/ Look for Candombl\u00e9s \/ Where \/ We\u2019ll take a taxi and drive to Capelinha und look for Candombl\u00e9s \/ How? \/ Just like that. Ethnology is like pederasty: you have to go a long way on foot. \/ (\u2026) And why Capelinha. \/ Because the name is so pretty.\u201d<a href=\"#_ftn15\" name=\"_ftnref15\">[15]<\/a> To find the places and people that inspire interest no travel guide will help, but what certainly will is to keep your ears on the sound of drums or your eyes on the sky where circling vultures might point the way to the favela.<a href=\"#_ftn16\" name=\"_ftnref16\">[16]<\/a> If the \u201csacrifice was missed\u201d, the \u201cprocession rained off\u201d or the \u201cinvestigation failed\u201d<a href=\"#_ftn17\" name=\"_ftnref17\">[17]<\/a>, if information proved dubious or photography difficult, inquiries will resume all over again the following day.<\/p>\n<p>They researched two realms. First, the rites of African-American religions, cult practices with their sacrificial rituals, states of trance and rapture, Dionysian exaltation and transgressions that barely have any relation to notions of a calming space of sanctity. In <a href=\"https:\/\/leonore-mau.de\/en\/zum-werk\/fotobaende\/xango\/\"><em>Xango<\/em><\/a> and <a href=\"https:\/\/leonore-mau.de\/en\/zum-werk\/fotobaende\/petersilie\/\"><em>Petersilie<\/em><\/a>, the four volumes about African-American religions, the photographic and written testimonies converge. They went in search of practices and sites of extraordinary experience, of more or less confined zones of recurrent exceptional circumstances. Among these also count madness and <a href=\"https:\/\/leonore-mau.de\/en\/zum-werk\/projekte-und-themen\/psychiatrische-doerfer\/\">psychiatry<\/a>. Besides all that is extraordinary is the entire realm of what is ordinary, of everyday life, of habits, of that which can be heard and seen in the streets and squares of towns and villages, people\u2019s gestures, expressions of joy or sorrow \u2013 observed, photographed, described.<\/p>\n<p>In neither Mau\u2019s nor Fichte\u2019s case does travelling to foreign countries result in a depiction of compact cultures, let alone something like ethnologically underpinned \u201cidentity\u201d. Mau considered herself explicitly \u201cnot an ethnographic photographer\u201d<a href=\"#_ftn18\" name=\"_ftnref18\">[18]<\/a>, while Fichte subjected the prevailing ethnology of his time to acrid criticism. Ethnology is relegated to an anthropology reminiscent of the age of Enlightenment based upon a phenomenology of the plethora of human behavioural patterns, rather than distinguishing some compact Other. The children of Herodotus \u2013 as cited in the title of the book, <a href=\"https:\/\/leonore-mau.de\/en\/zum-werk\/fotobaende\/die-kinder-herodots\/\"><em>Die Kinder Herodots<\/em><\/a>, edited by Ronald Kay, which describes the renowned explorer of antiquity and assembles photos by Leonore Mau and texts by Hubert Fichte \u2013 are uniquitous.<a href=\"#_ftnref1\" name=\"_ftn1\"><\/a><\/p>\n<\/div><\/section><br \/>\n<div  class='togglecontainer av-l74pta1k-799bdba5cd01792eb080b6ee4cdef222  avia-builder-el-7  el_after_av_textblock  avia-builder-el-last  toggle_close_all' >\n<section class='av_toggle_section av-l74pstj0-9bae0fe89eb8355f1e8db0167324cf70'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div role=\"tablist\" class=\"single_toggle\" data-tags=\"{All} \"  ><p id='toggle-toggle-id-1' data-fake-id='#toggle-id-1' class='toggler  av-title-above '  itemprop=\"headline\"  role='tab' tabindex='0' aria-controls='toggle-id-1' data-slide-speed=\"200\" data-title=\"Literature\" data-title-open=\"\" data-aria_collapsed=\"Click to expand: Literature\" data-aria_expanded=\"Click to collapse: Literature\">Literature<span class=\"toggle_icon\"><span class=\"vert_icon\"><\/span><span class=\"hor_icon\"><\/span><\/span><\/p><div id='toggle-id-1' aria-labelledby='toggle-toggle-id-1' role='region' class='toggle_wrap  av-title-above'  ><div class='toggle_content invers-color '  itemprop=\"text\" ><p>Braun, Peter, Die doppelte Dokumentation. Fotografie und Literatur im Werk von Leonore Mau und Hubert Fichte, Stuttgart (Verlag f\u00fcr Wissenschaft und Forschung) 1997.<\/p>\n<p>Karpenstein-E\u00dfbach, Christa, Fotografie und Schriftstellerei, in: Das Gewicht der Welt und das Leben in der Literatur. Zum Werk Hubert Fichtes, G\u00f6ttingen (Wallstein) 2022, S. 165-186.<\/p>\n<p>Kay, Ronald; Leonore Mau, Hubert Fichte. Die Kinder Herodots, Frankfurt a. M. (S. Fischer) 2006.<\/p>\n<p>Schoeller, Wilfried F., Hubert Fichte und Leonore Mau: der Schriftsteller und die Fotografin, Frankfurt a. M. (S. Fischer) 2005.<\/p>\n<\/div><\/div><\/div><\/section>\n<section class='av_toggle_section av-l74px5sg-daaed235ec91926dbf006c523230fc36'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div role=\"tablist\" class=\"single_toggle\" data-tags=\"{All} \"  ><p id='toggle-fussnoten' data-fake-id='#fussnoten' class='toggler  av-title-above '  itemprop=\"headline\"  role='tab' tabindex='0' aria-controls='fussnoten' data-slide-speed=\"200\" data-title=\"Footnotes\" data-title-open=\"\" data-aria_collapsed=\"Click to expand: Footnotes\" data-aria_expanded=\"Click to collapse: Footnotes\">Footnotes<span class=\"toggle_icon\"><span class=\"vert_icon\"><\/span><span class=\"hor_icon\"><\/span><\/span><\/p><div id='fussnoten' aria-labelledby='toggle-fussnoten' role='region' class='toggle_wrap  av-title-above'  ><div class='toggle_content invers-color '  itemprop=\"text\" ><p><a href=\"https:\/\/leonore-mau.de\/zur-person\/leonore-mau-und-hubert-fichte\/#_ftnref1\" name=\"_ftn1\">[1]<\/a>\u00a0Hubert Fichte, Hotel Garni. Die Geschichte der Empfindlichkeit Bd. 1, Frankfurt a. M. (S. Fischer) 1987, S. 148.<\/p>\n<p><a href=\"https:\/\/leonore-mau.de\/zur-person\/leonore-mau-und-hubert-fichte\/#_ftnref2\" name=\"_ftn2\">[2]<\/a>\u00a0Hubert Fichte, Forschungsbericht. Die Geschichte der Empfindlichkeit Bd. 15, Frankfurt a. M. (S. Fischer) 1989, S. 141.<\/p>\n<p><a href=\"https:\/\/leonore-mau.de\/zur-person\/leonore-mau-und-hubert-fichte\/#_ftnref3\" name=\"_ftn3\">[3]<\/a>\u00a0Interview mit Ingo Niermann<\/p>\n<p><a href=\"https:\/\/leonore-mau.de\/zur-person\/leonore-mau-und-hubert-fichte\/#_ftnref4\" name=\"_ftn4\">[4]<\/a>\u00a0Hubert Fichte, Hotel Garni, S. 16.<\/p>\n<p><a href=\"https:\/\/leonore-mau.de\/zur-person\/leonore-mau-und-hubert-fichte\/#_ftnref5\" name=\"_ftn5\">[5]<\/a>\u00a0Hubert Fichte, Hotel Garni, S. 10, 144.<\/p>\n<p><a href=\"https:\/\/leonore-mau.de\/zur-person\/leonore-mau-und-hubert-fichte\/#_ftnref6\" name=\"_ftn6\">[6]<\/a>\u00a0Hubert Fichte, Der Kleine Hauptbahnhof oder Lob des Strichs. Die Geschichte der Empfindlichkeit Bd. 2, Frankfurt a. M. (S. Fischer) 1988, S. 68.<\/p>\n<p><a href=\"https:\/\/leonore-mau.de\/zur-person\/leonore-mau-und-hubert-fichte\/#_ftnref7\" name=\"_ftn7\">[7]<\/a>\u00a0Hubert Fichte, Eine gl\u00fcckliche Liebe. Die Geschichte der Empfindlichkeit Bd. 4, Frankfurt a. M. (S. Fischer) 1988, S. 25.<\/p>\n<p><a href=\"https:\/\/leonore-mau.de\/zur-person\/leonore-mau-und-hubert-fichte\/#_ftnref8\" name=\"_ftn8\">[8]<\/a> Siehe Ohne Titel (Leonore Mau mit Ei und Rolleiflex-Kamera vor dem Spiegel)<strong><br \/>\n<\/strong><\/p>\n<p><a href=\"https:\/\/leonore-mau.de\/zur-person\/leonore-mau-und-hubert-fichte\/#_ftnref9\" name=\"_ftn9\">[9]<\/a>\u00a0Hubert Fichte, Eine gl\u00fcckliche Liebe, S. 28.<\/p>\n<p><a href=\"https:\/\/leonore-mau.de\/zur-person\/leonore-mau-und-hubert-fichte\/#_ftnref10\" name=\"_ftn10\">[10]<\/a>\u00a0Hubert Fichte, Der Kleine Hauptbahnhof, S. 198.<\/p>\n<p><a href=\"https:\/\/leonore-mau.de\/zur-person\/leonore-mau-und-hubert-fichte\/#_ftnref11\" name=\"_ftn11\">[11]<\/a>\u00a0Hubert Fichte, Eine gl\u00fcckliche Liebe, S. 27 ff.<\/p>\n<p><a href=\"https:\/\/leonore-mau.de\/zur-person\/leonore-mau-und-hubert-fichte\/#_ftnref12\" name=\"_ftn12\">[12]<\/a>\u00a0Hubert Fichte, Forschungsbericht, S. 129.<\/p>\n<p><a href=\"https:\/\/leonore-mau.de\/zur-person\/leonore-mau-und-hubert-fichte\/#_ftnref13\" name=\"_ftn13\">[13]<\/a>\u00a0Hubert Fichte, Der Kleine Hauptbahnhof, S. 69.<\/p>\n<p><a href=\"https:\/\/leonore-mau.de\/zur-person\/leonore-mau-und-hubert-fichte\/#_ftnref14\" name=\"_ftn14\">[14]<\/a>\u00a0Hubert Fichte, Hotel Garni, S. 144.<\/p>\n<p><a href=\"https:\/\/leonore-mau.de\/zur-person\/leonore-mau-und-hubert-fichte\/#_ftnref15\" name=\"_ftn15\">[15]<\/a>\u00a0Hubert Fichte, Explosion. Roman der Ethnologie. Die Geschichte der Empfindlichkeit\u00a0 Bd. 7, Frankfurt a. M. (S. Fischer) 1993, S. 142.<\/p>\n<p><a href=\"https:\/\/leonore-mau.de\/zur-person\/leonore-mau-und-hubert-fichte\/#_ftnref16\" name=\"_ftn16\">[16]<\/a>\u00a0Hubert Fichte, Explosion, S. 54.<\/p>\n<p><a href=\"https:\/\/leonore-mau.de\/zur-person\/leonore-mau-und-hubert-fichte\/#_ftnref17\" name=\"_ftn17\">[17]<\/a>\u00a0Hubert Fichte, Forschungsbericht, S. 127, 137.<\/p>\n<p><a href=\"https:\/\/leonore-mau.de\/zur-person\/leonore-mau-und-hubert-fichte\/#_ftnref18\" name=\"_ftn18\">[18]<\/a>\u00a0So im Interview mit Ingo Niermann (S. 4, LINK?)<\/p>\n<\/div><\/div><\/div><\/section>\n<\/div><\/p><\/div>\n<div  class='flex_column av-4vv9-9c4a411779b9ac7ffda81de310c5da41 av_one_half  avia-builder-el-8  el_after_av_one_half  avia-builder-el-last  flex_column_div  '     ><p>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-l7kehhq1-fa4b96b429db85643605e2f13f4b9e06\">\n#top .hr.hr-invisible.av-l7kehhq1-fa4b96b429db85643605e2f13f4b9e06{\nheight:15px;\n}\n<\/style>\n<div  class='hr av-l7kehhq1-fa4b96b429db85643605e2f13f4b9e06 hr-invisible  avia-builder-el-9  el_before_av_image  avia-builder-el-first '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-l5rws2wa-edd8676b1f741f0540cb8acd55680604\">\n.avia-image-container.av-l5rws2wa-edd8676b1f741f0540cb8acd55680604 img.avia_image{\nbox-shadow:none;\n}\n.avia-image-container.av-l5rws2wa-edd8676b1f741f0540cb8acd55680604 .av-image-caption-overlay-center{\ncolor:#ffffff;\n}\n<\/style>\n<div  class='avia-image-container av-l5rws2wa-edd8676b1f741f0540cb8acd55680604 av-styling- avia-align-left  avia-builder-el-10  el_after_av_hr  el_before_av_textblock '   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><img decoding=\"async\" fetchpriority=\"high\" class='wp-image-2495 avia-img-lazy-loading-not-2495 avia_image ' src=\"https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/70353675-224x300.jpg\" alt='' title='Ohne Titel (Selbstportr\u00e4t mit einem Portr\u00e4tfoto von Hubert Fichte)'  height=\"300\" width=\"224\"  itemprop=\"thumbnailUrl\" srcset=\"https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/70353675-224x300.jpg 224w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/70353675-300x403.jpg 300w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/70353675-600x805.jpg 600w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/70353675-767x1030.jpg 767w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/70353675-768x1031.jpg 768w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/70353675-525x705.jpg 525w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/70353675.jpg 894w\" sizes=\"(max-width: 224px) 100vw, 224px\" \/><\/div><\/div><\/div><br \/>\n<section  class='av_textblock_section av-l5rwt2m2-8fa917f4a32c4c9d0a3989d44d4deacc '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock img-caption-indi'  itemprop=\"text\" ><p>Untitled (Self-portrait with a portrait photo<br \/>\nby Hubert Fichte), 1962<br \/>\n\u00a9\u00a0 bpk \/ S. Fischer Stiftung \/ Leonore Mau<\/p>\n<\/div><\/section><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-l5sab5mq-36e575700b8fa981443a5ec95df7935d\">\n.avia-image-container.av-l5sab5mq-36e575700b8fa981443a5ec95df7935d img.avia_image{\nbox-shadow:none;\n}\n.avia-image-container.av-l5sab5mq-36e575700b8fa981443a5ec95df7935d .av-image-caption-overlay-center{\ncolor:#ffffff;\n}\n<\/style>\n<div  class='avia-image-container av-l5sab5mq-36e575700b8fa981443a5ec95df7935d av-styling- av-img-linked avia-align-left  avia-builder-el-12  el_after_av_textblock  el_before_av_textblock '   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><a href=\"https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/HF_LM_1964-1030x708.jpg\" data-srcset=\"https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/HF_LM_1964-1030x708.jpg 1030w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/HF_LM_1964-300x206.jpg 300w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/HF_LM_1964-600x412.jpg 600w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/HF_LM_1964-768x528.jpg 768w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/HF_LM_1964-1536x1056.jpg 1536w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/HF_LM_1964-2048x1408.jpg 2048w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/HF_LM_1964-1500x1031.jpg 1500w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/HF_LM_1964-705x485.jpg 705w\" data-sizes=\"(max-width: 1030px) 100vw, 1030px\" class='avia_image '  aria-label='HF_LM_1964'><img decoding=\"async\" fetchpriority=\"high\" class='wp-image-3172 avia-img-lazy-loading-not-3172 avia_image ' src=\"https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/HF_LM_1964-300x206.jpg\" alt='' title='HF_LM_1964'  height=\"206\" width=\"300\"  itemprop=\"thumbnailUrl\" srcset=\"https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/HF_LM_1964-300x206.jpg 300w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/HF_LM_1964-600x412.jpg 600w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/HF_LM_1964-1030x708.jpg 1030w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/HF_LM_1964-768x528.jpg 768w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/HF_LM_1964-1536x1056.jpg 1536w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/HF_LM_1964-2048x1408.jpg 2048w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/HF_LM_1964-1500x1031.jpg 1500w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/HF_LM_1964-705x485.jpg 705w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/div><\/div><\/div><br \/>\n<section  class='av_textblock_section av-l5saaly0-8e1f6977243f3b8fe242fd6abf4da368 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock img-caption-indi'  itemprop=\"text\" ><p>Postcard from Hubert Fichte to Leonore Mau, 1964<br \/>\n\u00a9 Nathalie David<\/p>\n<\/div><\/section><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-l81jeyo4-dfb99cf230930ec6e95d4ac6571b1c3f\">\n.avia-image-container.av-l81jeyo4-dfb99cf230930ec6e95d4ac6571b1c3f img.avia_image{\nbox-shadow:none;\n}\n.avia-image-container.av-l81jeyo4-dfb99cf230930ec6e95d4ac6571b1c3f .av-image-caption-overlay-center{\ncolor:#ffffff;\n}\n<\/style>\n<div  class='avia-image-container av-l81jeyo4-dfb99cf230930ec6e95d4ac6571b1c3f av-styling- av-img-linked avia-align-left  avia-builder-el-14  el_after_av_textblock  el_before_av_textblock '   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><a href=\"https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/HFanLM2-1030x708.jpg\" data-srcset=\"https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/HFanLM2-1030x708.jpg 1030w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/HFanLM2-300x206.jpg 300w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/HFanLM2-600x413.jpg 600w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/HFanLM2-768x528.jpg 768w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/HFanLM2-1536x1057.jpg 1536w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/HFanLM2-2048x1409.jpg 2048w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/HFanLM2-1500x1032.jpg 1500w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/HFanLM2-705x485.jpg 705w\" data-sizes=\"(max-width: 1030px) 100vw, 1030px\" class='avia_image '  aria-label='HFanLM2'><img decoding=\"async\" fetchpriority=\"high\" class='wp-image-3174 avia-img-lazy-loading-not-3174 avia_image ' src=\"https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/HFanLM2-300x206.jpg\" alt='' title='HFanLM2'  height=\"206\" width=\"300\"  itemprop=\"thumbnailUrl\" srcset=\"https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/HFanLM2-300x206.jpg 300w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/HFanLM2-600x413.jpg 600w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/HFanLM2-1030x708.jpg 1030w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/HFanLM2-768x528.jpg 768w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/HFanLM2-1536x1057.jpg 1536w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/HFanLM2-2048x1409.jpg 2048w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/HFanLM2-1500x1032.jpg 1500w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/HFanLM2-705x485.jpg 705w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/div><\/div><\/div><br \/>\n<section  class='av_textblock_section av-l81jflyz-6d6fd433916940107e03bb87e76642f8 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock img-caption-indi'  itemprop=\"text\" ><p>Telegram from Hubert Fichte to Leonore Mau, 1965<br \/>\n\u00a9 Nathalie David<\/p>\n<\/div><\/section><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-l5rwx3d7-a2683f4658f6bffb429afbb95b0878d1\">\n.avia-image-container.av-l5rwx3d7-a2683f4658f6bffb429afbb95b0878d1 img.avia_image{\nbox-shadow:none;\n}\n.avia-image-container.av-l5rwx3d7-a2683f4658f6bffb429afbb95b0878d1 .av-image-caption-overlay-center{\ncolor:#ffffff;\n}\n<\/style>\n<div  class='avia-image-container av-l5rwx3d7-a2683f4658f6bffb429afbb95b0878d1 av-styling- avia-align-left  avia-builder-el-16  el_after_av_textblock  el_before_av_textblock '   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><img decoding=\"async\" fetchpriority=\"high\" class='wp-image-2492 avia-img-lazy-loading-not-2492 avia_image ' src=\"https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/70353671-224x300.jpg\" alt='' title='Ohne Titel (Leonore Mau mit Ei und Rolleiflex-Kamera vor dem Spiegel)'  height=\"300\" width=\"224\"  itemprop=\"thumbnailUrl\" srcset=\"https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/70353671-224x300.jpg 224w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/70353671-300x401.jpg 300w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/70353671-600x803.jpg 600w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/70353671-770x1030.jpg 770w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/70353671-768x1027.jpg 768w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/70353671-527x705.jpg 527w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/70353671.jpg 897w\" sizes=\"(max-width: 224px) 100vw, 224px\" \/><\/div><\/div><\/div><br \/>\n<section  class='av_textblock_section av-l5rwylvn-95bbb6047a2e412bb36aefafab81291a '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock img-caption-indi'  itemprop=\"text\" ><p>Untitled (Leonore Mau with egg and<br \/>\nRolleiflex camera in front of the mirror), 1967<br \/>\n\u00a9 bpk \/ S. Fischer Stiftung \/ Leonore Mau<\/p>\n<\/div><\/section><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-l5sadnvq-78704d5eac4e10d9662e95565d1fc14d\">\n.avia-image-container.av-l5sadnvq-78704d5eac4e10d9662e95565d1fc14d img.avia_image{\nbox-shadow:none;\n}\n.avia-image-container.av-l5sadnvq-78704d5eac4e10d9662e95565d1fc14d .av-image-caption-overlay-center{\ncolor:#ffffff;\n}\n<\/style>\n<div  class='avia-image-container av-l5sadnvq-78704d5eac4e10d9662e95565d1fc14d av-styling- av-img-linked avia-align-left  avia-builder-el-18  el_after_av_textblock  el_before_av_textblock '   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><a href=\"https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/LManHF-1030x708.jpg\" data-srcset=\"https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/LManHF-1030x708.jpg 1030w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/LManHF-300x206.jpg 300w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/LManHF-150x103.jpg 150w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/LManHF-600x413.jpg 600w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/LManHF-768x528.jpg 768w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/LManHF-1536x1056.jpg 1536w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/LManHF-2048x1409.jpg 2048w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/LManHF-1500x1032.jpg 1500w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/LManHF-705x485.jpg 705w\" data-sizes=\"(max-width: 1030px) 100vw, 1030px\" class='avia_image '  aria-label='LManHF'><img decoding=\"async\" fetchpriority=\"high\" class='wp-image-3176 avia-img-lazy-loading-not-3176 avia_image ' src=\"https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/LManHF-300x206.jpg\" alt='' title='LManHF'  height=\"206\" width=\"300\"  itemprop=\"thumbnailUrl\" srcset=\"https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/LManHF-300x206.jpg 300w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/LManHF-150x103.jpg 150w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/LManHF-600x413.jpg 600w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/LManHF-1030x708.jpg 1030w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/LManHF-768x528.jpg 768w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/LManHF-1536x1056.jpg 1536w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/LManHF-2048x1409.jpg 2048w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/LManHF-1500x1032.jpg 1500w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/LManHF-705x485.jpg 705w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/div><\/div><\/div><br \/>\n<section  class='av_textblock_section av-q37t-803be080a5157ed013060bd7842dbc5b '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock img-caption-indi'  itemprop=\"text\" ><p>Message from Leonore Mau to Hubert Fichte<br \/>\n\u00a9 Nathalie David<\/p>\n<\/div><\/section><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-l5rwyd59-19d7f408af8b9ba19d054a181bd2e76f\">\n.avia-image-container.av-l5rwyd59-19d7f408af8b9ba19d054a181bd2e76f img.avia_image{\nbox-shadow:none;\n}\n.avia-image-container.av-l5rwyd59-19d7f408af8b9ba19d054a181bd2e76f .av-image-caption-overlay-center{\ncolor:#ffffff;\n}\n<\/style>\n<div  class='avia-image-container av-l5rwyd59-19d7f408af8b9ba19d054a181bd2e76f av-styling- avia-align-left  avia-builder-el-20  el_after_av_textblock  el_before_av_textblock '   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><img decoding=\"async\" fetchpriority=\"high\" class='wp-image-2837 avia-img-lazy-loading-not-2837 avia_image ' src=\"https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/70689103-231x300.jpg\" alt='' title='Ohne Titel (Selbstportr\u00e4t im Hotelzimmer)'  height=\"300\" width=\"231\"  itemprop=\"thumbnailUrl\" srcset=\"https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/70689103-231x300.jpg 231w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/70689103-300x389.jpg 300w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/70689103-400x519.jpg 400w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/70689103-794x1030.jpg 794w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/70689103-768x996.jpg 768w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/70689103-543x705.jpg 543w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/70689103-600x778.jpg 600w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/70689103.jpg 925w\" sizes=\"(max-width: 231px) 100vw, 231px\" \/><\/div><\/div><\/div><br \/>\n<section  class='av_textblock_section av-l5rwxikr-10a47a368b93abdb7844eaa68c293550 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock img-caption-indi'  itemprop=\"text\" ><p>Ohne Titel (Self-portrait in the hotel room), 1977\/78<br \/>\n\u00a9 bpk \/ S. Fischer Stiftung \/ Leonore Mau<\/p>\n<\/div><\/section><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-l5sabug6-23966c64f469bea94638fb61ba38e4a1\">\n.avia-image-container.av-l5sabug6-23966c64f469bea94638fb61ba38e4a1 img.avia_image{\nbox-shadow:none;\n}\n.avia-image-container.av-l5sabug6-23966c64f469bea94638fb61ba38e4a1 .av-image-caption-overlay-center{\ncolor:#ffffff;\n}\n<\/style>\n<div  class='avia-image-container av-l5sabug6-23966c64f469bea94638fb61ba38e4a1 av-styling- av-img-linked avia-align-left  avia-builder-el-22  el_after_av_textblock  el_before_av_textblock '   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><a href=\"https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/HFanLM-1030x709.jpg\" data-srcset=\"https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/HFanLM-1030x709.jpg 1030w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/HFanLM-300x206.jpg 300w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/HFanLM-600x413.jpg 600w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/HFanLM-768x528.jpg 768w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/HFanLM-1536x1057.jpg 1536w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/HFanLM-2048x1409.jpg 2048w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/HFanLM-1500x1032.jpg 1500w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/HFanLM-705x485.jpg 705w\" data-sizes=\"(max-width: 1030px) 100vw, 1030px\" class='avia_image '  aria-label='HFanLM'><img decoding=\"async\" fetchpriority=\"high\" class='wp-image-3173 avia-img-lazy-loading-not-3173 avia_image ' src=\"https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/HFanLM-300x206.jpg\" alt='' title='HFanLM'  height=\"206\" width=\"300\"  itemprop=\"thumbnailUrl\" srcset=\"https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/HFanLM-300x206.jpg 300w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/HFanLM-600x413.jpg 600w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/HFanLM-1030x709.jpg 1030w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/HFanLM-768x528.jpg 768w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/HFanLM-1536x1057.jpg 1536w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/HFanLM-2048x1409.jpg 2048w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/HFanLM-1500x1032.jpg 1500w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/HFanLM-705x485.jpg 705w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/div><\/div><\/div><br \/>\n<section  class='av_textblock_section av-2kxxh-4984c64817ac3351bb97a8f4758977e3 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock img-caption-indi'  itemprop=\"text\" ><p>Message from Hubert Fichte to Leonore Mau<br \/>\n\u00a9 Nathalie David<\/p>\n<\/div><\/section><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-l5rx6frf-f99319891119a1d868dd78c92e1c10f9\">\n.avia-image-container.av-l5rx6frf-f99319891119a1d868dd78c92e1c10f9 img.avia_image{\nbox-shadow:none;\n}\n.avia-image-container.av-l5rx6frf-f99319891119a1d868dd78c92e1c10f9 .av-image-caption-overlay-center{\ncolor:#ffffff;\n}\n<\/style>\n<div  class='avia-image-container av-l5rx6frf-f99319891119a1d868dd78c92e1c10f9 av-styling- avia-align-left  avia-builder-el-24  el_after_av_textblock  el_before_av_textblock '   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><img decoding=\"async\" fetchpriority=\"high\" class='wp-image-2611 avia-img-lazy-loading-not-2611 avia_image ' src=\"https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/70375972-300x200.jpg\" alt='' title='Ohne Titel (Leonore Mau und Hubert Fichte)'  height=\"200\" width=\"300\"  itemprop=\"thumbnailUrl\" srcset=\"https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/70375972-300x200.jpg 300w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/70375972-600x399.jpg 600w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/70375972-1030x685.jpg 1030w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/70375972-768x511.jpg 768w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/70375972-705x469.jpg 705w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/70375972.jpg 1200w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/div><\/div><\/div><br \/>\n<section  class='av_textblock_section av-16e95-4fefc7873e56798425793f6466d5430c '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock img-caption-indi'  itemprop=\"text\" ><p>Ohne Titel (Leonore Mau and Hubert Fichte), 1975<br \/>\n\u00a9 bpk \/ S. Fischer Stiftung \/ Leonore Mau<\/p>\n<\/div><\/section><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-l5sad9jq-6f8b51350566036b1193e49fd7261bf4\">\n.avia-image-container.av-l5sad9jq-6f8b51350566036b1193e49fd7261bf4 img.avia_image{\nbox-shadow:none;\n}\n.avia-image-container.av-l5sad9jq-6f8b51350566036b1193e49fd7261bf4 .av-image-caption-overlay-center{\ncolor:#ffffff;\n}\n<\/style>\n<div  class='avia-image-container av-l5sad9jq-6f8b51350566036b1193e49fd7261bf4 av-styling- av-img-linked avia-align-left  avia-builder-el-26  el_after_av_textblock  el_before_av_textblock '   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><a href=\"https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/KalenderHF_1976-1030x708.jpg\" data-srcset=\"https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/KalenderHF_1976-1030x708.jpg 1030w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/KalenderHF_1976-300x206.jpg 300w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/KalenderHF_1976-600x413.jpg 600w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/KalenderHF_1976-768x528.jpg 768w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/KalenderHF_1976-1536x1056.jpg 1536w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/KalenderHF_1976-2048x1408.jpg 2048w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/KalenderHF_1976-1500x1032.jpg 1500w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/KalenderHF_1976-705x485.jpg 705w\" data-sizes=\"(max-width: 1030px) 100vw, 1030px\" class='avia_image '  aria-label='KalenderHF_1976'><img decoding=\"async\" fetchpriority=\"high\" class='wp-image-3175 avia-img-lazy-loading-not-3175 avia_image ' src=\"https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/KalenderHF_1976-300x206.jpg\" alt='' title='KalenderHF_1976'  height=\"206\" width=\"300\"  itemprop=\"thumbnailUrl\" srcset=\"https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/KalenderHF_1976-300x206.jpg 300w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/KalenderHF_1976-600x413.jpg 600w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/KalenderHF_1976-1030x708.jpg 1030w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/KalenderHF_1976-768x528.jpg 768w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/KalenderHF_1976-1536x1056.jpg 1536w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/KalenderHF_1976-2048x1408.jpg 2048w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/KalenderHF_1976-1500x1032.jpg 1500w, https:\/\/leonore-mau.de\/wp-content\/uploads\/2022\/07\/KalenderHF_1976-705x485.jpg 705w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/div><\/div><\/div><br \/>\n<section  class='av_textblock_section av-1q87x-be37283e2fdc9c1da48b29a21a403665 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock img-caption-indi'  itemprop=\"text\" ><p>Pocket diary of Hubert Fichte, 1976<br \/>\n\u00a9 Nathalie David<\/p>\n<\/div><\/section><\/p><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":0,"parent":6095,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-5225","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Leonore Mau and Hubert Fichte - Leonore Mau<\/title>\n<meta name=\"description\" content=\"Leonore Mau (1916-2013). 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